So far none of the discussion has touched on Edward Land's two color effect. I first saw it demonstrated in an exhibit at Eastman House Museum (Rochester, NY) and had heard about it much earlier from my former manager at RCA who had led the design of the first color home receiver. He told me of spending a lot of effort to come to terms with Land's color theory on the pragmatic grounds that two color channels, even using a processor which synthesized three colors further down the chain, would be a more cost and bandwidth effective solution for color imagery than three. Alas, they could never understand Land or even decide if he was a crackpot (on this subject) Later I got similar reports from Eastman Kodak people who had followed the same trail with Land.
This URL:
http://www.wendycarlos.com/colorvis/color.html can provide the details of Land's color demonstration.
Now, to yellow lights through windshields. Most of the discussion here has centered on what might be termed physical color. The effects which occur on the other side of the cornea are much more subtle. As the eye sees color in what it *knows* is a context or background coloration, it makes spectacular (er excuse the pun) adjustments. Most people see shadows on snow as black, not the blue that it appears when that part of the image if isolated. I looked through my blue windshield at a yellow light yesterday with intense interest. Unfortunately it was a broadband yellow and just looked a dim yellow.
All this is by way of encouraging any experimenters to see if there is a simple way of replicating Land's two color effect with a yellow source and blue filter. Let us know.